Plath

"O my God, What Am I" by Devon Balwit

A gift, a love gift
Utterly unasked for
(Plath, “Poppies in October”)

Have twins and you are queened,
birth more, a sow,

the small sucklers’ upturned faces
muzzle-morphed.

Don’t make it look too easy—you—
tail lifted in heat,

each long schlong thrusting. Coyly,
devote a week,

a month, a year. Bemoan your delicacy,
the way you spread

legs only for God and Country. Bite
your lip so as not

to shout, coming become jouissance,
the smallest shiver.

Take the babies round singly
in a covered pram.

Maybe, then, the neighbors will lose count
and call you ordinary.
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Devon Balwit lives scarily close to the Cascadia Subduction Zone. She is the author of the collections: We Are Procession, Seismograph (Nixes Mate Books), Risk Being/Complicated (a collaboration with Canadian collage artist Lorette C. Luzajik), and Motes at Play in the Halls of Light (Kelsay Books). She also has a Flannery O'Connor-inspired chapbook, Where You Were Going Never Was (Grey Borders Books) and a Moby-Dick inspired one,The Bow Must Bear the Brunt (Red Flag Poetry).

"Prayer Peaches" by Matthew DeMarco

     after Plath

All day walking in Austin, then peaches,
ice-dewed in a silver bucket.

Their flesh was sealed but soaked—
dense-haired, close-mouthed Ziploc,

unpierced. They sat piled across the street
beside a flushed and beaming persistent woman

who waved one wandlike arc of hand
toward the six of us, insistent.

Purple magic marker on the ramshackle
cardstock sign: FREE PEACHES! FREE PRAYERS!

There are peaches when it is hot
in Austin, preciously secured in private,

cold buckets, secret sweetness behind their seals
across the street. The woman wanted

to pray for us, I wanted a peach, and Erik
wanted to bow his dry sober shut mouth

in humble silence while her hand acquired
the whispered drying saltwater of his skin.

They were already bathed. So easy to slide sharp
flat tooth into fruit, render askew

ropes of slippery tissue from the waxy rind
of peel. So easy, with a blessing and sticky lips,

as sand salamander streaks congealed down my wrist,
to pitch a pernicious pit into the gutter of the bridge.

Pray the nectar that remained in ribbony veins
on the stubborn hard stone would secrete a scent

to provoke, at least, one in the millions
of the city’s nightly bats.
-
Matthew DeMarco is a writer, editor, and educator living in the Albany Park neighborhood of Chicago. He is a recipient of the Eileen Lannan Poetry Prize, for which his work has appeared on Poets.org. His poems can also be found in Opossum and Columbia Poetry Review. Drop him a line at matthewpauldemarco@gmail.com.