hybrid

3 Poems by Anthony Hagen

Cough Drop

“I never went fishing,” said the doctor. “Instead, I did homework. For my son, I have bigger plans. I’ll catch a fish for him one day.” I brought home a vial of medicinal balm. You insisted on putting bread in the refrigerator, to reduce the likelihood of infectious spores. You went for the discount toaster, so it’s still cold in the center. I could guzzle down broth in the time it takes for you to toggle the thermostat. When there was still time for it, we would take strolls down the muddy embankment, wade in the shallow region, and catch tiny minnows in our palms. Now there is nothing but cinnamon and ginger ale on ice. “There seems to be a problem with your prescription,” said the doctor on a call. “The most obstinately intellectually devoid among us have seen fit to saddle me with ill advice. Cease all ingesting of the tablets. Come to my office as soon as possible. You know my extension.” We tried to lug the couch into the parlor area, but could barely lift it up before dropping it again.


Sneeze Guard

It was the first morning of frost, and I noticed the leaves broken beneath my shoes. I was in the midst of negotiations with the CEO. “Sentimentality blooms like flowers nowadays,” he said. His office was adorned with a large oil painting of several multicolored horses on a plain. I was complimenting the décor when, without warning, he blurted, “I am no longer able to continue this conversation,” and ran out of the room. He left half a mug of black Italian dark roast coffee. It hung in the air. I was tempted to drink. It was early. You always advised me out of speaking and into listening. Your gift of that nice leather chair helped me, to such an end. Out to lunch, we could see the glistening tubs of chopped pork behind the glass. That tone you set, the one that always wakes me up, took all the germs from me. I can constrain myself with a necktie, and fall in love with my shirts, but everything flows, and flows like rain. The CEO left me an odd voicemail. “I have not yet begun to fight,” was all it said. Thanks to you, we are never wanting for the newest scents. For that, I am thankful.


Impeachment Proceedings

Frequent stops: gas hub, feeding station, rubber emporium, discount cattle outlet. Communiqués to party headquarters, screaming matches via fax machine. “I’ll murder this job before it murders me,” you said. “What do you suppose they make figs out of?” I said. We departed the fruit barn just in time for the industrial fudge squirter. “Obscene?” you said into the phone. “Of course it’s obscene. Don’t distract from the real issue at hand.” Onward to the semi-legal explosives warehouse. “I can’t look at anything colorful,” you said. “I must look away.” At the hospital, scrubbed nurses stitched my wounds while chatting about the recent banking scandal. Outside the room, doctors stared at clipboards while chatting about the latest baseball scandal. “I have my own life too, you know,” you said, perhaps into the phone. Machines next to my head beeped like flugelhorns.
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Anthony Hagen holds an MFA from Hollins University. His writing appears in CalibanBoston Accent LitClarionBird's ThumbThe Hollins Critic, and DenimSkin. 

3 Poems by William Repass

Sound Horn

Exhibit Y? Photogenic proof—albeit

pixelated—stumps even a rigged jury, painting pictures of a land florid with fauna. Out past the lumber mills, past the lumber yards, past the chugging auto saws and acrid plumes; out beyond the slope of thistle, of stumps and mist and rust: the land of boon, sprouting honky tonks. Yes. There. Where the towing just ain’t enforced. Parp parp!

For it was then the blowhard caption horned in, reports The Bugle, sounding off “On the Recent Spike of Oryx Sightings: a Symbology of Cornucopiæ.” And almost... well it almost... sneezed up a hunk of manna.

Almost. Instead: a helical tusk sur le bout de la langue. Magisterial companion to our rotating cast of carousel mounts. Cast in brass, that is. Talking animals?! Shorn affidavit. Political allegory?!—a horse shoe crabbed by narrow margins, purely milling.

Poof! And as for this “protrusion”?

Crushed to a fine, glittering powder, cut with poppy, pressed into neat pills, patented by Little Big Pharma, and finally, sold. Antidote to the common cold—

the only side effect, excessive swearing.

 

Scum Purse

Interest you in a gimlet? Consider this, technically, your official welcome to the pond. This sump sunk dead center some dead aristocrat’s Cartesian garden. Pring has prung. Our vegetative hat grows knobbly as a sacful o’ limes, disbursing a twist of ignoble gasses. Common slaw—a fish wife fragrance,

available for limited time only. We may be bottom feeders but, I tell you this, that our pond has got a whole lot going on. Iridescent scales but in whose flavor? Lil’ fishies nosh big fish, neck ticklishly, in the shape of exfoliage and trashy novels. Deconstructed salad days, if you will. These turgid whiskers not for naught.

What you might call in technical terms our common craw chews common slaw for us. Now that’s what I call haute couture!

 

Thud Aplomb

Rex ink hole hot off the machina—itself squamulose w/ prefeathers. Gothic curly cues amidst which the character, extinct to us, returns. That’s P as in pterodactyl. Equipped with the advanced new pulley system, can we not master the past faster? Monarchist! Your philtrum is awash in slobber. Suchlike behavior reads illegible, a glandular feint. Shrink peccadillo.

Newtonic fig squelch and ensuing dropsy paroxysm, averted both. Thanks, air plane gluey foot pads. Don’t suppose you happen to know the where bouts of my cockatoo, exiled since last December? Lizards affix all over. After tarring afterfeathers, gravity pules.

Cigarette?

Any last words? You just never know. At this late hour, any word

at all could wind up famous somewhere down the line 

“You and what anvil?”
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Originally from Los Alamos, New Mexico, William Repass lives in Pittsburgh and works as a projectionist and film librarian. His work has appeared in, or is forthcoming from, Bennington ReviewDenver Quarterly, Hobart, Small Po[r]tions, and elsewhere.